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Stephens, Robert Neilson, 1867-1906

"The Mystery of Murray Davenport A Story of New York at the Present Day"

He waited for them, as
usual, to pass his door and go on, as happened when lodgers went in and
out. But these steps halted at his own door, and were followed by a
knock. He held his breath. The knock was repeated, and he began to fear
the knocker would persist indefinitely. But at last the steps were heard
again, this time moving away. He then thought he recognized them as
yours, Larcher, and he was dreadfully afraid for the next few days that
they might come again. But his feeling of security gradually returned.
Later, in the weeks of his sequestration in that room, he had many little
alarms at the sound of steps on the stairs and in the passages, as people
went to and from the rooms above. This was particularly the case after he
had begun the practice of his new voice, for, though the sound he made
was low, it might have been audible to a person just outside his door.
But he kept his ear alert, and the voice-practice was shut off at the
slightest intimation of a step on the stairs.
"The sound of his voice-practice probably could not have been heard many
feet from his door, or at all through the wall, floor, or ceiling. If it
had been, it would perhaps have seemed a low, monotonous, continuous
sort of growl, difficult to place or identify.
"You know most speaking voices are of greater potential range than their
possessors show in the use of them. This is particularly true of American
voices. There are exceptions enough, but as a nation, men and women, we
speak higher than we need to; that is, we use only the upper and middle
notes, and neglect the lower ones.


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