Stanton's." He went to the piano, and sang softly, in a
light baritone:
'Sometimes, dearest, the world goes wrong,
For God gives grief with the gift of song,
And poverty, too; but your love is more--'
Again he stopped short, and with a derisive laugh. "What an ass I was! As
if any happiness that came to Murray Davenport could be real or lasting!"
"Oh, never be disheartened," said Larcher. "Your time is to come; you'll
have your 'whack at life' yet."
"It would be acceptable, if only to feel that I had realized one or two
of the dreams of youth--the dreams an unhappy lad consoled himself with."
"What were they?" inquired Larcher.
"What were they not, that is fine and pleasant? I had my share of diverse
ambitions, or diverse hopes, at least. You know the old Lapland song, in
Longfellow:
_'For a boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'"_
CHAPTER VI.
THE NAME OF ONE TURL COMES UP
A month passed. All the work in which Larcher had enlisted Davenport's
cooperation was done. Larcher would have projected more, but the
artist could not be pinned down to any definite engagement. He was
non-committal, with the evasiveness of apathy. He seemed not to care any
longer about anything. More than ever he appeared to go about in a dream.
Larcher might have suspected some drug-taking habit, but for having
observed the man so constantly, at such different hours, and often with
so little warning, as to be convinced to the contrary.
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