This passion,
moreover, was forced to keep within limits by the long periods that
occurred between the drawings, and by the choice of wheels which each
investor individually clung to. Madame Descoings never staked on any
but the "wheel of Paris." Full of confidence that the trey cherished
for twenty-one years was about to triumph, she now imposed upon
herself enormous privations, that she might stake a large amount of
savings upon the last drawing of the year. When she dreamed her
cabalistic visions (for all dreams did not correspond with the numbers
of the lottery), she went and told them to Joseph, who was the sole
being who would listen, and not only not scold her, but give her the
kindly words with which an artist knows how to soothe the follies of
the mind. All great talents respect and understand a real passion;
they explain it to themselves by finding the roots of it in their own
hearts or minds. Joseph's ideas was, that his brother loved tobacco
and liquors, Maman Descoings loved her trey, his mother loved God,
Desroches the younger loved lawsuits, Desroches the elder loved
angling,--in short, all the world, he said, loved something. He
himself loved the "beau ideal" in all things; he loved the poetry of
Lord Byron, the painting of Gericault, the music of Rossini, the
novels of Walter Scott. "Every one to his taste, maman," he would say;
"but your trey does hang fire terribly."
"It will turn up, and you will be rich, and my little Bixiou as well.
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