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?©, 1621-1687

"De Carmine Pastorali (1684)"


Therefore, in short, let him that writes Pastorals think brevity, if
it doth not obscure his sense, to be the greatest grace which he can
attain.
Now why _Bucolicks_ should require such Brevity, and be so
essentially sparing in _Expression_, I see no other reason but this:
It loves _Simplicity_ so much that it must be averse to that Pomp and
Ostentation which _Epick_ Poetry must show, for that must be copious
and flowing, in every part smooth, and equal to it self: But
_Pastoral_ must dissemble, and hide even that which it would {42}
show, like _Damon's_ _Galatea_, who flies then when she most desires
to be discovered.
And to the Bushes flys, yet would be seen.
And this doth not proceed from any malitious ill-natur'd Coyness, as
some imagine, but from an ingenuous modesty and bashfulness, which
usually accompanies, and is a proof of _Simplicity: Tis very rare_,
says Pliny, _to find a man so exquisitely skillful, as to be able to
show those Features in a Picture which he hides_, and I think it to be
so difficult a task, that none but the most excellent Wits can attempt
it with success: For small Wits usually abound with a multitude of
words.
The third Grace of _Bucolicks_ is _Neatness_, which contains all the
taking prettiness and sweetness of Expression, and whatsoever is
call'd the Delicacies of the more delightful and pleasing _Muses_:
This the Rural _Muses_ bestow'd on _Virgil_, as _Horace_ in the tenth
_Satyr_ of his first Book says,
And _Virgils_ happy Muse in Eclogues plays,
soft and facetious;
Which _Fabius_ takes to signify the most taking neatness and most
exquisite Elegance imaginable: For thus he explains this place, in
which he agrees with _Tully_, who in his _Third Book de Oratore_,
says, the _Atticks_ are Facetious _i.


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