SEARCH
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Prev | Current Page 100 | Next

Shelley, Percy Bysshe, 1792-1822

"A Defence of Poetry and Other Essays"

Could this influence be durable in its original
purity and force, it is impossible to predict the greatness of the
results; but when composition begins, inspiration is already on the
decline, and the most glorious poetry that has ever been communicated
to the world is probably a feeble shadow of the original conceptions
of the poet. I appeal to the greatest poets of the present day,
whether it is not an error to assert that the finest passages of
poetry are produced by labour and study. The toil and the delay
recommended by critics, can be justly interpreted to mean no more
than a careful observation of the inspired moments, and an artificial
connexion of the spaces between their suggestions by the intertexture
of conventional expressions; a necessity only imposed by the
limitedness of the poetical faculty itself; for Milton conceived
the Paradise Lost as a whole before he executed it in portions; We
have his own authority also for the muse having 'dictated' to him
the 'unpremeditated song'. And let this be an answer to those who
would allege the fifty-six various readings of the first line of
the Orlando Furioso. Compositions so produced are to poetry what
mosaic is to painting. This instinct and intuition of the poetical
faculty, is still more observable in the plastic and pictorial arts;
a great statue or picture grows under the power of the artist as
a child in the mother's womb; and the very mind which directs the
hands in formation is incapable of accounting to itself for the
origin, the gradations, or the media of the process.


Pages:
88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112