The same revolutions within a narrower sphere had place in ancient
Rome; but the actions and forms of its social life never seem to
have been perfectly saturated with the poetical element. The Romans
appear to have considered the Greeks as the selectest treasuries
of the selectest forms of manners and of nature, and to have
abstained from creating in measured language, sculpture, music, or
architecture, anything which might bear a particular relation to
their own condition, whilst it should bear a general one to the
universal constitution of the world. But we judge from partial
evidence, and we judge perhaps partially Ennius, Varro, Pacuvius,
and Accius, all great poets, have been lost. Lucretius is in the
highest, and Virgil in a very high sense, a creator. The chosen
delicacy of expressions of the latter, are as a mist of light which
conceal from us the intense and exceeding truth of his conceptions
of nature. Livy is instinct with poetry. Yet Horace, Catullus,
Ovid, and generally the other great writers of the Virgilian age,
saw man and nature in the mirror of Greece. The institutions also,
and the religion of Rome were less poetical than those of Greece,
as the shadow is less vivid than the substance. Hence poetry in
Rome, seemed to follow, rather than accompany, the perfection of
political and domestic society. The true poetry of Rome lived in
its institutions; for whatever of beautiful, true, and majestic,
they contained, could have sprung only from the faculty which creates
the order in which they consist.
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