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Maeterlinck, Maurice, 1862-1949

"The Unknown Guest"

The field, the house, the hut, the loft do
not move; and it is no miracle that they should be found in the
same place. But, suddenly, quitting this domain where all is
stationary, the phenomenon is transferred to time and, in those
unknown places, at the foretold second, brings together all the
moving actors of that little drama in two acts, of which the
first was performed some two and a half months before, in the
depths of some mysterious other life where it seemed to be
motionlessly and irrevocably awaiting its terrestrial
realization. Any explanation would but condense this vapour of
petty mysteries into a few drops in the ocean of mysteries. Let
us note here again, in passing, the strange freakishness of the
premonitions. They accumulate the most precise and circumstantial
details as long as the scene remains insignificant, but come to a
sudden stop before the one tragic and interesting scene of the
drama: the duel and its issue. Here again we recognize the
inconsistent, impotent, ironical or humorous habits of our
unknown guest.
30
But we will not prolong these somewhat vain speculations
concerning space and time. We are merely playing with words that
represent very badly ideas which we do not put into form at all.
To sum up, if it is difficult for us to conceive that the future
preexists, perhaps it is even more difficult for us to understand
that it does not exist; moreover, a certain number of facts tend
to prove that it is as real and definite and has, both in time
and in eternity, the same permanence and the same vividness as
the past.


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