I was not surprised at it. I was always expecting it would happen.
A person who has suffered disappointment for many years loses confidence,
and I thought I had better make inquiries before I exploited my new idea
of doing a drama in the form of a dream, so I wrote to a great authority
on knowledge of all kinds, and asked him whether it was new.
I could depend upon him. He lived in my dear home in America--that dear
home, dearer to me through taxes. He sent me a list of plays in which
that old device had been used, and he said that there was also a modern
lot. He travelled back to China and to a play dated two thousand six
hundred years before the Christian era. He said he would follow it up
with a list of the previous plays of the kind, and in his innocence would
have carried them back to the Flood.
That is the most discouraging thing that has ever happened to me in my
dramatic career. I have done a world of good in a silent and private
way, and have furnished Sir Henry Irving with plays and plays and plays.
What has he achieved through that influence. See where he stands now
--on the summit of his art in two worlds and it was I who put him there
--that partly put him there.
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