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Hawthorne, Nathaniel, 1804-1864

"The Blithedale Romance"

But Zenobia (whose part among the maskers, as may be
supposed, was no inferior one) appeared in a costume of fanciful
magnificence, with her jewelled flower as the central ornament of
what resembled a leafy crown, or coronet. She represented the
Oriental princess by whose name we were accustomed to know her. Her
attitude was free and noble; yet, if a queen's, it was not that of a
queen triumphant, but dethroned, on trial for her life, or, perchance,
condemned already. The spirit of the conflict seemed, nevertheless,
to be alive in her. Her eyes were on fire; her cheeks had each a
crimson spot, so exceedingly vivid, and marked with so definite an
outline, that I at first doubted whether it were not artificial. In
a very brief space, however, this idea was shamed by the paleness
that ensued, as the blood sunk suddenly away. Zenobia now looked
like marble.
One always feels the fact, in an instant, when he has intruded on
those who love, or those who hate, at some acme of their passion that
puts them into a sphere of their own, where no other spirit can
pretend to stand on equal ground with them. I was confused,--
affected even with a species of terror,--and wished myself away.
The intenseness of their feelings gave them the exclusive property of
the soil and atmosphere, and left me no right to be or breathe there.
"Hollingsworth,--Zenobia,--I have just returned to Blithedale," said
I, "and had no thought of finding you here. We shall meet again at
the house.


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