Examine the volute: this is the nearest approach to a mathematical
result that can be found in Grecian architecture; yet this very
approximation is one of the greatest triumphs of Art. No geometrical
rule has been discovered which can exactly produce the spirals of the
Erechtheum, nor can they be found in shells. In avoiding the exuberance
of the latter and the rigid formalism of the former, a work of human
thought and Love has been evolved. Follow one of these volutes with your
eye from its centre outwards, taking all its congeries of lines into
companionship; you find your sympathies at once strangely engaged. There
is an intoxication in the gradual and melodious expansion of these
curves. They seem to be full of destiny, bearing you along, as upon an
inevitable tide, towards some larger sphere of action. Ere you have
grown weary with the monotony of the spiral, you find that the system
of lines which compose it gradually leave their obedience to the
centrifugal forces of the volute, and, assuming new relationships of
parts, sweep gracefully across the summit of the shaft, and become
presently entangled in the reversed motion of the other volute, at whose
centre Ariadne seems to stand, gathering together all the clues of this
labyrinth of Beauty.
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