If we
know ourselves, it is not to the dogmas of critics, the artificial rules
of aesthetics, that we most wisely resort for judgments concerning works
of Art. Though technical externals and the address of manipulation
naturally take possession of our senses and warp our opinions, there are
depths of immortal Truth within us, rarely sounded, indeed, but which
can afford a standard and a criterion far nobler than the schools can
give us.
The broken statues and columns and traditions and fragmentary classics
which Greece has left us are so still and tranquil to the eye and ear,
that we search in vain for the Delphic wisdom they contain, till we find
it echoed in the sympathetic depths of our souls, and repeated in the
half-impalpable Ideals there. It is to Greece that we must look for
the external type of these Ideals, whose existence we but half suspect
within us. It is not pleasant, perhaps, to think that we were nearly
unconscious of the highest capacities of our humanity, till we
recognized their full expression in the ashes of a distant and dead
civilization,--that we did not know ourselves, till
"The airy tongues that syllable men's names
In pathless wildernesses"
uttered knowledge to us among the ghastly ruins of Hellas.
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