On each side of the central
panel the just judges, the soldiers of Christ, the hermits, and the
pilgrims, advance to join the throng around the Lamb. Most beautiful
of all is the crowd of virgin martyrs bearing palms, moving over the
green grass carpeted with flowers, to adore the Lamb of God, the
Redeemer of the World. Above, God the Father, the Virgin Mother, and
St. John the Baptist, with crowns of wonderful workmanship, are throned
amid choirs of singing and playing angels on either hand.
The picture does not illustrate the description of the Adoration of
the Lamb in the fifth chapter of Revelations so faithfully as the
picture of the 'Three Maries' illustrated St. Matthew. The Lamb has
not seven horns and seven eyes, and the four beasts and twenty-four
elders are not falling down before it and adoring. The Lamb is an
ordinary sheep, and the picture is a symbolic expression of the
Catholic faith, founded upon a biblical text, but not what could be
described as 'a Bible illustration.' People in the Middle Ages liked
to embody their faith in a visible form, and we are told that
theologians frequently drew up schemes of doctrine which painters did
their best to translate into pictures, and sculptors into sculpture.
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